film - Cult film
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It is so thoroughly laden with critiques of late-1960s American society that one historian described the film film 300 film as subversive on many levels. In 1974, midnight opener Flesh Gordon evidenced how the phenomenon lent itself to flirtations with pornography. The Rocky Horror Picture Show satirizes conventions of science fiction and horror films of its time, and includes elements of transvestism, incest and homosexuality — all within the context of a musical film. Interest in the missing footage and score helped to build the film s cult status, which paid off when in 2002, DVD audiences finally saw Legend in a version closer to director Scott s intent. A year later, David Lynch s highly influential neo-noir thriller Blue Velvet (1986), having initially failed at the box office (because of its limited release in theatres), was revitalized with video releases in the late 1980s and early 1990s.
The Big Lebowski (1998) was a flop on its initial release, yet became a cult classic and has been called the first cult film of the Internet era. Since the turn of the millennium, notable successes among cult and midnight movies have been Donnie Darko (2001), the 2001 comedy Wet Hot American Summer, an absurdist parody of the pre-MTV summer camp genre, and the comic book adaptation Ghost World. Older films are also popular on the circuit, appreciated largely in an imposed camp fashion—a midnight movie tradition that goes back to the 1972 revival of the hectoring anti-drug movie Reefer Madness (1938). Occasionally, a film can become the object of a cult following within a particular region or culture if it has some unusual significance to that region or culture. It did manage to develop a cult classic status, especially with gay audiences and became famous for Dunaway s emphasis on the line No wire hangers, ever! , when urging her daughter not to use them in her closet. While Rocky Horror soldiered on, by then a phenomenon unto itself, and new films like The Warriors (1979), The Gods Must Be Crazy (1980), The Evil Dead (1981), Heavy Metal (1981), and Pink Floyd The Wall (1982)—all from mainstream distributors—were picked up by the midnight movie circuit, the core of exhibitors that energized the movement was disappearing.
They are often considered controversial because they step outside standard narrative and technical conventions known. A cult film is a movie that attracts a devoted group of followers or obsessive fans, despite having failed commercially on its initial release. Harold and Maude (1971) was not successful financially at the time of its original release, but has since earned a cult following and has become successful following its video and DVD releases.
Slaves of New York, released in 1989, has also found a cult audience in the homosexual community. In the world of anime, the MTV spoof series Ultracity 6060 created by Beavis and Butt-Head director Mike deSeve has become a hard-to-acquire cult classic among American anime fans. box office, it was further edited by five minutes for U.S.
Another cult item is the Jim Jarmusch film from 1989 Mystery Train, which includes Joe Strummer and Tom Waits. Alan Parker s hybrid mystery/horror film, Angel Heart (1987), starring Mickey Rourke and Robert De Niro, fared poorly at the box office, only just breaking even. It is also true that the content of certain films (such as dark subjects, alienation, transgressive content, or other controversial subject matter) can also decide whether or not a film is a cult film , regardless of the film s budget or studio affiliations.
At the box office, Army of Darkness was not a big success as hoped, only grossing $11,501,093 domestically. The World War II-era Department of Agriculture film Hemp for Victory, encouraging the growing of hemp for war uses, has achieved a similar cult status.
In 1979, Steven Spielberg, after two blockbuster hits (Jaws and Close Encounters of the Third Kind), decided to try the comedy genre with 1941, set days after the attack on Pearl Harbor. 20th Century Fox and Legend Films released a colorized version of the film on DVD on April 20, 2004, an obvious reference to its ironic appeal (see 420 (cannabis culture)).
were considered cult classics, attracting devotees who reveled in his incompetence. These films include such financially fruitless and critically scorned films as The Lonely Lady, Mommie Dearest, Ishtar, Cool as Ice, Boxing Helena, Manos: The Hands of Fate, Fatal Deviation, Silent Night, Deadly Night Part 2, The Room and Troll 2, which have become inadvertent comedies to film buffs.
An example may be Paul Verhoeven s big budgeted, highly sexualized Showgirls (1995), initially intended to be a drama film about the rise of a Las Vegas stripper, that flopped both critically and commercially when released theatrically; afterward, it enjoyed success on the home video market, generating more than $100 million from video rentals. Plan 9 from Outer Space (1959) and other films by Edward D. Directed by David Lynch, the film was a big-budget flop, partially due to the fact that the movie had already been edited from an intended three-to-four hours to 137 minutes, leaving the story incomprehensible.
Whatever the case, it gained a cult following after it aired in an extended version on the U.S. Cult films usually offer something different or innovative in comparison to mainstream films, but cult films can also be popular across a wide audience. A film can be both a major studio release and a cult film, particularly if despite its affiliation with a major studio, it failed to achieve broad success on either the theatrical or home video markets but was championed by a small number of dedicated film fanatics who seek out lesser-known offerings.
The most recent film to gain widespread acclaim under this jurisdiction is Samuel L. Often, cult movies have failed to achieve fame outside of the small fanbases; however, there have been exceptions that have managed to gain fame among mainstream audiences.
Cult films often become the source of a thriving, obsessive, and elaborate subculture of fandom, hence the analogy to cults. Jackson s Snakes on a Plane (2006), because this movie has been cited as trying for so-bad-it s-good status. .
The budget was estimated to be around $11 million; while Evil Dead II had a budget of $3.5 million and The Evil Dead a budget of $350,000. (2001) as well as his short lived cult phenomenon television series Twin Peaks (90-91), and its subsequent movie adaptation: Twin Peaks: Fire Walk with Me (1992).
Whilst they may only have a short cinema release cult films often enjoy ongoing popularity due to myriad VHS, LaserDisc and DVD releases. Wisdom s films, in which he usually played a family man worker who outsmarts his boss, were some of the few Western films considered acceptable by the country s communist rulers, thus Albanians grew familiar and attached to Wisdom.
Despite this, it was hugely popular on VHS in the early 1990s and launched cutting-edge dialogue spoken by its characters ( What s your damage? , I love my dead, gay son! ) into mainstream popular culture. Despite this, the film became a hit once released on VHS, and has become a cult classic since, known for its spooky tone, Michael Seresin s cinematography, the sad and spooky score by Trevor Jones, and an unusual but effective blend of genres.
Usually, cult films have limited but very special, noted appeal. The Kaiju genre of films, most famously the Godzilla films, while enjoying much mainstream popularity in Japan, has a large following in the U.S.
DeSeve s gory send-up When Animated Animals Attack is also a cult hit among animation festival fans in North America, as are the works of Don Hertzfeldt (Billy s Balloon, Rejected, The Meaning of Life) and Robert Smigel. The 1936 anti-marijuana propaganda film Reefer Madness has become a cult film within the stoner subculture due to its humorously sensationalized, outdated and inaccurate descriptions of the effects of marijuana. Wood, Jr.
Carnival of Souls (1962), Night of the Living Dead (1968), Pink Flamingos (1972), Basket Case (1982), The Evil Dead (1981) and its sequels, and Eraserhead (1977) could all be considered cult films. One of the theaters to show it regularly at midnight was New York s Waverly (also now closed), where Rocky Horror had played for a house record ninety-five weeks.
In succeeding years, the popularization of the VCR and the expansion of movie-viewing possibilities on cable television meant the death of many additional independent theaters, which as a result, developed a stream of newer cult films. Cult films are often known to be eccentric and do not follow traditional standards of mainstream cinema and usually explore topics not considered in any way mainstream—yet there are examples that are relatively normal.
Directed by W.D. Many cult movies have gone on to transcend their original cult status and have become recognized as classics; others are of the so bad it s good variety and are destined to remain in obscurity.
The Beastmaster is an example of the strange vectors which can lead to cult filmdom, as its reputation stems as much from ubiquitous cable-TV overplay as anything in the film itself. These films should not be confused with comedic cult movies like The Toxic Avenger, Bad Taste, Army of Darkness, Gayniggers from Outer Space, Spaceballs and the films of John Waters, which purposely utilize elements from films so bad they re good for comedic effect. Entertainment Weekly ranked Buckaroo Banzai as #43 in their Top 50 Cult Movies. Also in 1984, Dino DeLaurentiis released Dune, based on Frank Herbert s best-selling sci-fi novel.
However, the culture of Vietnam-era United States had a tremendous impact on the film and the film was given a cult status after playing frequently at midnight movie circuits. Wood, Jr.
Possibly the first of these was the biographical Mommie Dearest (1981), which details the life of Joan Crawford and her alleged abusive relationship with her adopted daughter. The film became hugely controversial and well-known because of its bizarre, often graphic depiction of small town America and male-female relationships featuring a psychotic Dennis Hopper and his drug-fueled sexual relationship with Dorothy Vallens, played by Isabella Rossellini.
Vajna and Mario Kassar, also produced the cult film Jacob s Ladder which had a similar narrative structure, as well as a twist ending. Michael Lehmann s satirical teenage comedy Heathers (1989), starring Winona Ryder and Christian Slater, was intended to take on the John Hughes teenage films (The Breakfast Club, Sixteen Candles) and give them a much darker, realistic and comedic approach. Richter the film has since received cult status.
Battle Royale has gained cult status in Britain due to the resonance the film has with the disaffected youth of that country. In some cases, these films tend to enjoy long runs on video, thus being issued in video runs with more copies than other movies.
The critic Michael Medved characterized examples of the so bad it s good class of low-budget cult film through books such as The Golden Turkey Awards. Knowing that a great deal of footage had been deleted, Universal Studios took it upon themselves to release a longer version for syndicated television and thereby, return some of the cohesiveness to the story.
A cult film (also known as a cult movie/picture or a cult classic) is a film that has acquired a highly devoted but specific group of fans. Lynch continued his career with various other cult films: Wild at Heart (1990), Lost Highway (1997) and the critically acclaimed Mulholland Dr.
One of the most successful of the 1990s generation of cult films was the Australian drag queen road saga The Adventures of Priscilla, Queen of the Desert (1994). If a movie is more widely known than The Rocky Horror Picture Show, it is not likely to be considered a cult film.
These include Super Mario Bros., Breakin , The Beastmaster, Santa Claus Conquers the Martians, The Creeping Terror, Robot Monster, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, Attack of the 50 Foot Woman, The Man Who Saves the World and the works of Edward D. While Dunaway garnered some critical acclaim for her astonishing physical metamorphosis and her portrayal of Crawford (finishing a narrow second in the voting for the New York Film Critics Circle Awards for Best Actress of the Year), she also received a Razzie Award for Worst Actress and caused considerable damage to her career.
Both major versions have been successful thanks to a recent DVD release. 1985 saw the making of two Arnon Milchan films that were, like Dune before it, substantially altered by Universal Studios in an attempt to find a mainstream audience. The movie Office Space (1999), which lost money during its box office run, managed to turn significant profits when word-of-mouth made it a popular video rental and purchase.
Writer/director Todd Solondz, a favorite cult director, had his first major success with the black comedy Welcome to the Dollhouse (1995), a brutally-honest look at the persecution of a young junior high student by her classmates. ABC network, and years after on Laserdisc and DVD. Other cult films from this period are those of director and actor Tom Laughlin, including the Billy Jack series. The commercial viability of the sort of big-city arthouses that launched outsider pictures for the midnight movie circuit began to decline in the late 1970s as broad social and economic shifts weakened their countercultural base.
The action film Red Heat (1988) has found a cult audience amongst fluent Russian speakers because of the movie s weak portrayal of the Russian language and stereotypes. Many films enjoy cult status because they are seen as ridiculously awful, for example Plan 9 from Outer Space (1958). This can be seen as related to the artistic style known as camp .
Thus, Dune became a cult classic, albeit too late, as David Lynch had removed his name from the credits of the television cut. The film received little critical attention or mainstream cinema exhibition when first released in 1975, but built up a base of fans who repeatedly showed up at midnight screenings at inexpensive neighborhood cinemas, dressed in costume and participating in the film by doing such things as throwing rice during its wedding scene.
Leading midnight movie venues were beginning to fold as early as 1977 — that year, New York s Bijou switched back permanently to the live entertainment for which it had been built, and the Elgin, after a brief run with gay porn, shut down completely. It has since become a leading example of the science fiction genre. In 1984, The Adventures of Buckaroo Banzai Across the 8th Dimension, starring Peter Weller as Buckaroo Banzai, whose latest experiment opens the door to the 8th dimension and unwittingly starts an interstellar battle for the world.
Network television, cable television and pay-per-view stations have also changed the nature of cult films. The over-acting by Faye Dunaway as Crawford gave the film a campy tone, and critics were very negative towards the film.
Romero earned moderate box office takings but was critically polarized at the time. In 1993, the comedy horror Army of Darkness, a sequel to the Evil Dead series, was released.
His next film was the challenging, controversial dark comedy of sex and perversion in American suburbia—titled Happiness (1998). Having failed at the U.K.
Another example is the place of The Wizard of Oz (1939) in American homosexual culture, although a widely viewed and historically important film in greater American culture. The film, spoofing all popular film genres of the 1940s (and World War II in general), is considered by critics as Spielberg s first flop, although statistically it made a small profit for Columbia Pictures and Universal Studios--that is when compared to Spielberg s earlier (and later) blockbuster hits.
In many cases, cult films may have failed to achieve mainstream success on original release although this is definitely not always the case. Lower IT workers and white-collar American workers alike have given Mike Judge s 1999 comedy film Office Space a cult following because of its heroic portrayal of ordinary office employees who become fed up with their jobs, make a stand, and try to overthrow the very corporation for which they work.
Ridley Scott s Blade Runner (1982) was financially unsuccessful upon its initial release. Sometimes the audience response to a cult film is somewhat different than what was intended by the film makers.
Male homosexuals sometimes refer to themselves as friends of Dorothy . The movie had a considerably higher budget than the prior two Evil Dead films.
This has also happened with The Big Lebowski (1998), among others. A Clockwork Orange is a film that is a cult film in the punk community.
Many cult films were independent films and were not expected by their creators to have mainstream success. After its video release, however, it has obtained an ever-growing cult following, along with the other two films in the trilogy.
Then, by the time Legend, directed by Ridley Scott, opened in European theatres, it had already been edited by 20 minutes by Universal. Other low-budget science fiction and horror films of the 1950s (for example Robot Monster), along with exploitation films of the 1930s, which resurfaced in the home video market of the 1980s (including the infamous Reefer Madness), were accorded that status. The low budget horror film Night of the Living Dead (1968) directed by George A.
Singin in the Rain is another film adopted by the American homosexual subculture which used to regularly be shown during the 1980s and early 1990s for extended runs. Belgian cult movie Man Bites Dog with Benoit Poelvoorde and the surrealist movie Camping Cosmos starring cult figures like Lolo Ferrari, Noël Godin and Arno Hintjens, are an element of the Belgian visual landscape with reminiscences to Belgian Surrealism. Asian cinema, particularly Hong Kong martial arts films, such as wuxia, and Japanese tokusatsu, primarily from the Daikaiju Eiga, and anime, also has a cult following in the Western hemisphere.
Two of the movie s producers, Andrew G. The term also describes films that have remained popular over a long period of time amongst a small group of followers.
An example is the cult status of British comedic actor Norman Wisdom s films in Albania. release a year later and Jerry Goldsmith s original orchestral score replaced by a rock score by Tangerine Dream.
Curiously, he and his films are now acquiring nostalgic cult status in Britain. David Lynch s experimental Eraserhead (1977), an example of shoe-string surrealism was a flop both critically and commercially, yet was saved from obscurity thanks to home video in the late 1970s and early 1980s. Comedy films have also been cult classics.
However, not every film with a rabid fanbase is necessarily a cult film. The film was, however, re-released in 1992 and achieved cult status.
Movies have even achieved cult status by successfully imitating the awfulnesses of so-bad-it s-good movies (The Lost Skeleton of Cadavra and Amazon Women on the Moon being just two examples.) In other cases, little-known or forgotten films from the past are revived as cult films, largely because they are considered goofy and senseless by modern standards, with laughable special effects and corny plotlines.
