film - 120 film
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Photograph by Ken Lundon Flickr.
The film is at least 30 inches (76 cm) long, up to 32–33 inches (81–84 cm), attached to a piece of longer and slightly wider backing paper. 120 film and its close relative, 220 film, survive to this day as the only medium format films that are readily available to both professionals and amateur enthusiasts. The 120 format is typical of roll film.
2 in 1901. Nonetheless the 120 format cast-metal bodied Voigtländer Perkeo remains smaller than any 620 format camera. .
Also, since the film alone is thinner than a film with a backing paper, a special pressure plate may be required to achieve optimal focus if the film is registered against its back side. The spool was originally made of wood with metal flanges, later all metal, and finally plastic.
Some cameras capable of using both 120 and 220 film will have a two position adjustment of the pressure plate (e.g. Kiev 60 and Pentacon Six. The 105 format was introduced by Kodak in 1898 for their first folding camera and was the original 6×9 cm format roll film.
The 117 spool is slightly narrower than the 120. The 620 format was introduced by Kodak in 1931 as an intended alternative to 120. the Pentax 645 or Kowa Six). The specifications for 120 and 220 film are defined in the ISO 732 standard.
the Mamiya C220 or Mamiya C330) while others will require different film backs e.g. 6×4.5 is the smallest and least expensive roll-film frame size; equipment to take photos in this size is also the lightest. The wide 6×12, 6×17, and 6×24 cm frames are produced by special-purpose panoramic cameras.
Frame number markings for the three standard image formats are printed on the backing paper. The 220 format was introduced in 1965 and is the same width as 120 film, but with about double the length of film and thus twice the number of possible exposures per roll. The 6×7 frame enlarges almost exactly to 8×10 inch paper, for which reason its proponents call it ideal format .
The backing paper protects the film while it is wound on the spool, with enough extra length to allow loading and unloading the roll in daylight without exposing any of the film. The 620 format is essentially the same film on a thinner and narrower all-metal spool (the 120 spool core was made of wood at that time): Hence the 620 is sometime referred as small hole 6×6 or 6×9 as opposed to 120 large hole .
These formats used the same width film as 120 film, but with slightly different spools. According to Kodak, the narrower metal spool allowed building smaller cameras.
Pentax 67 (6×7), Fuji 617 (6×17), and many 645s (6×4.5). Although mostly used by Kodak cameras, it became very popular.
The 620 format was discontinued by Kodak in 1995, but it is possible to rewind 120 film onto a 620 spool in the darkroom for use in 620 cameras. This results in a longer film on the same spool, but there are no printed frame numbers.
Most of these cameras use lenses intended for large format cameras for simplicity of construction. Cameras using 120 film will often combine the numbers of the frame size in the name e.g. It was originally intended for amateur photography but was later superseded in this role by 135 film.
120 is a film format for still photography introduced by Kodak for their Brownie No. The number 6 in general, and the word six are also commonly used in naming cameras e.g.
The 117 format was introduced by Kodak in 1900 for their first Brownie camera, the No.1 Brownie, 6×6 cm format. Moreover, it cannot be used in unmodified old cameras that have a red window as frame indicator.
Unlike 120 film, however, there is no backing paper behind the film itself, just a leader and a trailer.
